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New legibilities: rethinking post-war French film with Nicole Vedrès’s La Vie commence demain
Double page spread in Nicole Vedrè s’s book Images du cinema français (Paris: Les Editions du Chõne, 1945), pp. 106-07, showing stills from Marcel Carne’s Le jour se lève (1939). Covers of Andre Labarthe’s journal Constellation, in the background of a scene from La Vie commence demain/Life Begins Tomorrow (Nicole Vedrè s, 1950). Taken from:…
